Abu Dhabi Classics is thrilled to announce the first of its artists confirmed to perform for its eighth season!
The season will commence on October 12 at the iconic Emirates Palace with Mozart and Satie Violin Concertos by the prestigious Camerata Salzburg Orchestra with violin virtuoso Renaud Capuçon, one of the most fascinating living performers of this repertoire. The Performance will start at 8pm.
The evening will be completed by pieces from late 19th century, early 20th Century minimalist composer Erik Satie that influenced among other musical genres, Jazz music, and also Surrealism. Satie’s clear musical lines are also reminiscent of Rossini’s and Mozart’s music. Get ready for an evening with some of the most famous works of the Viennese Classical Period and of the New Music and appreciate not only the beauty of Classical music but also its permanence and evolution over the centuries.
The highly anticipated Abu Dhabi Classics new concert season of cultural harmony, will bring a dynamic and diverse programme of classical and traditional music to the Capital.
Mozart: Violin Concertos 4 and 5
Tickets available at Ticketmaster and Virgin Megastores.
Since its formation, the CAMERATA has been a regular ensemble in its home city of Salzburg as a concert and opera orchestra at the Salzburg Festival as well as the Mozart Week, and has its own subscription series at the Great Hall of the Mozarteum Foundation.
The CAMERATA regularly performs in Europe's centres of music from the Vienna, Zurich, Frankfurt, Ferrara, Luzern and Munich to Cologne Philharmonic and Paris; it is invited to various international festivals, as a representative of Salzburg's Mozart style, and goes on at least one major overseas tour every year.
More than 60 recordings on vinyl and CD, many of which were awarded major prizes, document the musical culture of the Camerata Salzburg spanning six decades.
Musical personalities such as Géza Anda, Sándor Végh, Sir Roger Norrington and András Schiff have influenced the CAMERATA. Famous musicians such as Clara Haskil, Alfred Brendel, Philippe Herreweghe, Franz Welser-Möst, Pinchas Zukerman, Anne-Sophie Mutter, Teodor Currentzis, Hilary Hahn and Fazil Say have performed with the CAMERATA through the decades, whose classical core repertoire with Salzburg's "genius loci", Mozart, and Viennese Classical music at the centre, extends to the Romantic and Modern periods.
As its greatest inspiration and longtime conductor, Sándor Végh's call to: "Search within yourself, then you will have something to say!" still echoes today and challenges the CAMERATA, again and again, to lay bare the "soul of chamber music" as the central element of the CAMERATA sound in the oeuvres it performs, and to bring it to life.
Born in Chambéry in 1976, Renaud Capuçon began his studies at the Conservatoire National Supérieur de Musique de Paris at the age of fourteen, winning numerous awards during his five years there. Following this, Capuçon moved to Berlin to study with Thomas Brandis and Isaac Stern, and was awarded the Prize of the Berlin Academy of Arts. In 1997, he was invited by Claudio Abbado to become concert master of the Gustav Mahler Jugendorchester, which he led for three summers, working with conductors such as Pierre Boulez, Seiji Ozawa, Daniel Barenboim, Franz Welser-Moest and Abbado himself.
Since then, Capuçon has established himself as a soloist at the very highest level. He has played concerti with orchestras such as the Berliner Philharmoniker under Haitink and Robertson, the Boston Symphony under Dohnanyi, the Orchestre de Paris under Eschenbach and Paavo Järvi, Philharmonique de Radio France and Filarmonica della Scala orchestras with Chung, Orchestre National de France and Gatti and Gergiev, and the Simon Bolivar Orchestra and Los Angeles Philharmonic with Dudamel.
Recent concerto engagements include concerts with the London Symphony Orchestra with François-Xavier Roth, Chamber Orchestra of Europe with Jaap can Zweden, Detroit Symphony Orchestra with Leonard Slatkin, Los Angeles Philharmonic with Matthias Pintscher and Camerata Salzburg with Robin Ticciati. Capuçon also tours extensively as a solo recitalist and will perform in play directs with various groups such as Camerata Salzburg, Festival Strings Lucerne and Basel Chamber Orchestra.
Capuçon has a great commitment to chamber music and has worked with Argerich, Nicholas Angelich, Barenboim, Bronfman, Yuja Wang, Buniatishvili, Grimaud, Pires, Pletnev, Repin, Bashmet and Mørk, as well as with his brother, cellist Gautier Capuçon. These collaborations have taken him, among others, to the festivals of Edinburgh, Berlin, Lucerne, Verbier, Aix-en-Provence, Roque d’Anthéron, San Sebastian, Stresa, Tanglewood and Salzburg.
He is the Artistic Director of the Easter Festival in Aix-en-Provence which he founded in 2013 and was appointed Artistic Director of the Sommets Musicaux de Gstaad in 2016. He is teaching violin at the High School of Music in Lausanne since 2014.
Recording exclusively with Erato/Warner Classics, Capuçon has built an extensive discography. Recent releases include Bach and Vasks Concertos as conductor and soloist with the Chamber Orchestra of Europe, and Brahms and Berg Concertos with the Wiener Philharmoniker under Daniel Harding. His latest chamber music recording is a disc of Frank, Grieg and Dvorak sonatas with Khatia Buniatishvili. His recording of Fauré’s complete chamber music for strings with Nicholas Angelich, Gautier Capuçon, Michel Dalberto, Gérard Caussé and Ebène Quartet won the Echo Klassik Prize for chamber music in 2012. His compilation “Le Violon Roi” received the “Disque d’Or” and his latest recording of contemporary concerti by Rihm, Dusapin and Montovani was nominated the best recording by French Victoires de la Musique 2017.
Renaud Capuçon plays the Guarneri del Gesù “Panette” (1737) that belonged to Isaac Stern.
In June 2011 he was appointed “Chevalier dans l’Ordre National du Mérite” and in March 2016 “Chevalier de la Légion d’honneur” by the French Government.